by Kamron Klitgaard

Help!  The local high school drama teacher wrote his own version of Cinderella by combining the Princess's tale with the story of Frankenstein, but the production is bombing!  Everyone wants to be a stepsister, the star is grounded by his parents, and no one likes their parts.  Not to mention that the script is really bad.  With only a week until performance, what's a director to do?